In Visual Arts in Macedonia in the 20th Century, Vesna Stefanovska situates herself within a broader cartography: that of a generation of artists who pushed the boundaries of art, transforming its languages, its media, its intentions. This publication does not merely document an era — it reveals a mutation.

Through a selection of artists who have shaped the evolution of visual practices, the book highlights an artistic scene in full transformation, where disciplines intersect, cross-pollinate, and reinvent themselves. Painting, sculpture, installation, performance, video — all forms that no longer aim to define themselves, but to open spaces for thought.

Within this context, Vesna Stefanovska’s work appears as a singular presence, both rooted in her territory and oriented toward universal reflection. She participates in a movement where art no longer simply represents the world, but questions it, displaces it, and places it in tension.

Between archive and presence, memory and immediacy, Visual Arts in Macedonia in the 20th Century opens a field of reflection in which art becomes both trace and movement — something that endures while always eluding any stable definition.